朱莉(詹妮弗?洛夫?休伊特 Jennifer Love Hewitt )和其他三个中学生在毕业之际来到一个美丽的海滨城市, 开始了一次狂欢式的度假。怎料乐极生悲,四人在黑夜的公路上飚车撞死了一个路人。慌乱中他们决定把尸体抛入大海,并约定对此事守口如瓶。一个快乐的旅程以阴霾结束。
本以为一切都成为秘密。朱莉开始了她全新的大学生活。但是一封来信却打破了她的平静。里面赫然写着“我知道你去年夏天干了什么”,朱莉惊恐万分。果然,恐怖异样的事件开始发生在几个年轻人身上,他们推测凶手是谁,猜疑纷纷,然而血腥的结局早已在等待着他们……
1966年,大西洋北海上漂浮着的一艘船,是深受不列颠听众喜爱的摇滚电台的大本营。因吸毒而退学的 Carl(汤姆·斯图里奇 Tom Sturridge 饰)被母亲 Charlotte(艾玛·汤普森 Emma Thompson 饰)送到这里,认识了 Quentin(比尔·奈伊 Bill Nighy 饰)、The Count(菲利普·塞默·霍夫曼 Philip Seymour Hoffman 饰)、Dave(尼克·弗罗斯特 Nick Frost 饰)等热爱音乐崇尚自由的人。另一方面,政府高官 Sir Alistair Dormandy(肯尼思·布拉纳 Kenneth Branagh 饰)决定设法取缔非法电台。随着政府向电台的赞助商施压,电台的收入持续降低。此时,出国两年现已享有国际盛誉的 Gavin(瑞斯·伊凡斯 Rhys Ifans 饰)决定海归,解决了电台的难题。可是,因为 Gavin 的回归,电台内部出现了一些新的问题……
主角波特是黑道人物,成为黑吃黑的受害者,当然他有自己的原则,属于邪中带正的人物。他的同伙欲置他于死地,并且独吞了他的钱,拐走了他的女人。为了重拾尊严,讨回他应得的七万块美金,波特大开杀戒。
幕后:
影片开拍于1997年9月17日。之所以选择在芝加哥拍摄,是因为主创人员不想影片背景中的建筑具有闪烁着金属光泽的时尚风格,只要阴冷的灰色就好。并且,影片中的时代、人物和小巷都有一种荒芜衰退的外表。用导演布赖恩·海尔格兰德的话说,就是具有粗糙的质感,具有黑白影片的特殊风格。影片中的年代很模糊,地点也不确定。你不会发现40年代后的建筑,汽车的款式也没有89年之后的。为了让影像传达故事,摄影指导埃里克森·科尔(Ericson Core)刻意将色彩饱和度降低至最低值。同时,影片还潜隐着黑色幽默,梅尔·吉布森所扮演的角色是个直性子,不苟言笑,而一切错综纠葛、无事生非恰恰围绕着他而发生。
为了尽量除去城市中的颜色,剧组使用了大量棕色颜料,在每早开拍前,都有一名油漆匠随时准备涂掉街边的红色标记。
花絮:
·在导演布赖恩·海尔格兰德退出本片拍摄后,影片的30%被要求重拍。重拍整整延误了一年,因为梅尔·吉布森当时正在拍摄《致命武器4》。
·影片在澳洲上映时,宣传口号由"Get ready to root for the bad guy"改为"Get ready to cheer for the bad guy",因为在澳洲俚语中,"to root"意味着***。
·片中的所有电话都是旋转拨号的。
·接替布赖恩·海尔格兰德重拍影片的人一直鲜为人知,梅尔·吉布森在后来接受采访时曾透露,接替海尔格兰德的是美工设计师约翰·迈尔(John Myhre)。
·波特用的手枪是Smith & Wesson Model 27 357 Magnum。
20年前,强盛的罗马帝国派出由5000精兵组成的罗马第九军团,却在苏格兰高地神秘消失。第九军团首领之子马库斯(查宁·塔图姆 Channing Tatum 饰)骁勇善战,带兵征战在前线。因为在一场战争中严重受伤,他不得不在叔叔家中养伤。养伤期间,马库斯在角斗场中救下一名奴隶埃斯科(杰米·贝尔 Jamie Bell 饰),并将其收为仆人。不久之后,马库斯听闻北方一个部落有人发现了当年父亲遗失的鹰杖,立志为父亲赢回荣誉的他决心远赴北方拿回鹰杖。马库斯带着对北方环境比较熟悉的埃斯科一起出发。路途中主仆二人的关系经历了各种起伏与相互考验。尤其是当他们遇到凶狠的西尔王子(塔哈·拉希姆 Tahar Rahim 饰)后,马库斯发现埃斯科的身份远远不只是个普通的奴隶那么简单。究竟谁掌控着鹰杖,当年的第九军团是如何覆灭的?真相愈加扑朔迷离……
Memorial Day, 1993. When 13-year-old Kyle Vogel discovers the World War II footlocker belonging to his grandfather, Bud, everyone tells Kyle to put it back. Luckily, he ignores them. Although Bud has never talked about the war, he finds himself striking a deal with his grandson: Kyle can pick any three souvenirs, and Bud will tell him the stories behind each one. Memorial Day not only takes us on a journey into Bud's complicated wartime past, but also into Kyle's wartime future. As the two men share parallel experiences in combat, they come to realize how that magical day on the porch shaped both of their lives.
When a party bus on its way to Burning Man filled with a bunch of sexy young adults breaks down in the desert and in the middle of a group of Satanic worshippers, all hell literally breaks loose. A massacre leaves seven survivors trapped on the bus, fighting for their lives while wondering if someone or someones are not what they seem.
In sepia tones, the film moves back and forth among three periods in Robert Tucker's life: he's an old man, near death, in a nursing home at Christmas time; he's in middle age caring for his cheerful but dying mother; he's a lad at Catholic school, practicing his catechism, going to confession for the first time, receiving the Eucharist, surrounded by the singing of a children's choir. In middle age, he looks through his scrapbook of photographs of muscular men; he recalls lovers and his mother's cremation. A nurse sits beside him on his last night; in his last breath, he reaches forward and back..
The initial announcement described the movie as “A documentary about branding, advertising and product placement is financed and made possible by branding, advertising and product placement.” Sounds like an interesting, if not gimmicky, concept.